Seattle Symphony & Opera Players' Organization

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Seattle Weekly - Seth Krimsky: Excuse Me While I Plug In My Electric Bassoon

By Gavin Borchert - The bassoon has never gotten the attention it deserves from composers - despite its historical prestige as one of the earliest woodwind instruments to become a regular member of the orchestra and its practically bipolar ability to negotiate a range of moods, from heartbreaking poignancy to slapstick clowning. Sure, it's useful, the workhorse bass of the wind choir, but far from glamorous; not a romantic lead, but a character actor - the William H. Macy of the orchestra.

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Nielsen One And Two
Nielsen Three Four
Mahler 10 Dausgaard
Dausgaard Alpine
Become Desert
Become Ocean
Bostridge French
Berlioz Requiem
Dutilleux Metaboles
Berio Sinfonia
Faure Masques
Ives Three Places
Dvorak Nine
Ives Unanswered Question
Brandi Carilile Live
American In Paris
Messiaen Poemes
Stravinsky Firebird
Dutilleux Hadelich

Seattle Symphony & Opera Players' Organization

P.O. Box 21403
Seattle, WA 98111-4318


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